From “Dancers, Buildings, and People in the Streets,” Edwin Denby (1954):

Daily life is wonderfully full of things to see. Not only people’s movements, but the objects around them, the shape of the rooms they live in, the ornaments architects make around windows and doors, the peculiar ways buildings end in the air, the water tanks, the fantastic differences in their street facades on the first floor. … [I]f you start looking at New York architecture, you will notice not only the sometimes extraordinary delicacy of the window framings, but also the standpipes, the grandiose plaques of granite and marble on the ground floors of office buildings, the windowless side walls, the careful, though senseless, marble ornaments. And then the masses, the way the office and factory buildings pile up together in perspective. And under them the drive of traffic, those brilliantly colored trucks with their fanciful lettering, the violent paint on cars, signs, houses as well as lips. Sunsets turn the red-painted houses in the cross streets to the flush of live rose petals. And the summer sky of New York for that matter is as magnificent as the sky of Venice. Do you see all this?