2024-10-15

 
--Li-Young Lee

That scraping of iron on iron when the wind   
rises, what is it? Something the wind won’t   
quit with, but drags back and forth.
Sometimes faint, far, then suddenly, close, just   
beyond the screened door, as if someone there   
squats in the dark honing his wares against   
my threshold. Half steel wire, half metal wing,   
nothing and anything might make this noise   
of saws and rasps, a creaking and groaning
of bone-growth, or body-death, marriages of rust,   
or ore abraded. Tonight, something bows
that should not bend. Something stiffens that should   
slide. Something, loose and not right,   
rakes or forges itself all night.


2024-10-13

 
--Li-Young Lee

1.
Through the night   
the apples
outside my window   
one by one let go   
their branches and   
drop to the lawn.
I can’t see, but hear
the stem-snap, the plummet
through leaves, then
the final thump against the ground.

Sometimes two   
at once, or one   
right after another.
During long moments of silence
I wait
and wonder about the bruised bodies,   
the terror of diving through air, and   
think I’ll go tomorrow
to find the newly fallen, but they
all look alike lying there
dewsoaked, disappearing before me.

2.
I lie beneath my window listening   
to the sound of apples dropping in

the yard, a syncopated code I long to know,
which continues even as I sleep, and dream I know

the meaning of what I hear, each dull   
thud of unseen apple-

body, the earth   
falling to earth

once and forever, over   
and over.


2024-10-11

 
[ October Evening ; Leon Spilliaert (1912) ]
 

2024-10-09

 
--Ursula K. Le Guin

Years do odd things to identity.
What does it mean to say
I am that child in the photograph
at Kishamish in 1935?
Might as well say I am the shadow
of a leaf of the acacia tree
felled seventy years ago
moving on the page the child reads.
Might as well say I am the words she read
or the words I wrote in other years,
flicker of shade and sunlight
as the wind moves through the leaves.


2024-10-07

 
--Ross Gay

If you find yourself half naked
and barefoot in the frosty grass, hearing,
again, the earth's great, sonorous moan that says
you are the air of the now and gone, that says
all you love will turn to dust,
and will meet you there, do not
raise your fist. Do not raise
your small voice against it. And do not
take cover. Instead, curl your toes
into the grass, watch the cloud
ascending from your lips. Walk
through the garden's dormant splendor.
Say only, thank you.
Thank you.



2024-10-05

 

You'll be driving along depressed when suddenly
a cloud will move and the sun will muscle through
and ignite the hills. It may not last. Probably
won't last. But for a moment the whole world
comes to. Wakes up. Proves it lives. It lives—
red, yellow, orange, brown, russet, ocher, vermilion,
gold. Flame and rust. Flame and rust, the permutations
of burning. You're on fire. Your eyes are on fire.
It won't last, you don't want it to last. You 
can't stand any more. But you don't want it to stop. 
It's what you've come for. It's what you'll
come back for. It won't stay with you, but you'll 
        remember that it felt like nothing else you've felt
        or something you've felt that also didn't last.

--from Leaves; Lloyd Schwartz


2024-10-03

 
[ Landscape with Trees ; Vincent van Gogh ]
 

2024-10-01


--Dmitry Blizniuk

Here, in the countryside, death is simple and unpretentious.
It goes without makeup, and
a chipped log rattles
under a dented axe.
This low, big-boned tree stump
(be careful, watch your step)
is a guillotine for chickens.
Feathers and down are stuck in the notches in the wood,
like last unlit cigarettes before execution,
or unsent letters to beloved ones…
And autumn birches pose nude around the house:
armfuls of freckles are thrown up to the clouds
and hang there,
on the long, equine face of October.


 

2024-09-29

 
--Dmitry Blizniuk

There’s something about destiny
that resembles a dentist’s work:
sterility, perseverance, carefulness,
consistent cruelty,
disposable whiteness.
One day, you enter the kitchen and suddenly realize
that you’ve lost forever
this smiley summer,
this milky cloudy planet,
this slim nervous woman with green eyes.
And you put on the final movement of the Moonlight Sonata,
having no faith at all in art.
You throw a lousy witch into a fire,
expecting her to spit, swear, kick her legs.
Hah! The angered melody will soar up,
emitting smoke, the smell of sackcloth,
and the fume of uncombed felty gold of the hair.
And frightened, you close yourself off,
but the music will seep in even through the shuttered windows.
Its poisonous vapor will worm its way in.
Your body will start sweating at once,
getting covered with small drops of fright,
like hot chicken meat in a clear bag.
Oh, great music,
you work wonders
and nightmares.


2024-09-27

 
--Dmitry Blizniuk

Someone walks within the word Autumn,
walks on high red heels,
one floor above,
one understanding above.
Someone stops at the window,
pulls the curtains open,
and secretly admires the suntanned horsemen of the falling leaves
that prance, rearing up on their hind legs, golden and flared.
The willow at the lamp post has lost its mind;
it mourns with bowed head,
dropping green saliva on the ants.
Then, later,
late at night,
the moon will come up,
it will be thin like an eyelid —
a teacher with a birthmark on her face
will take a crowd of stars-second-graders
on a trip above the night city.


2024-09-25

 
[ Enso (the flowers smell but disappear) ; Zenkei Shibayama ]
 


2024-09-23

 
When the immense drugged universe explodes
In a cascade of unendurable colour
And leaves us gasping naked,
This is no more than the ectasy of chaos:
Hold fast, with both hands, to that royal love
Which alone, as we know certainly, restores
Fragmentation into true being.

--Robert Graves; Ecstasy of Chaos


2024-09-21

 
--Donald Justice

The lights in the theater fail. The long racks
Of costumes abandoned by the other dancers
Trouble Celeste. The conductor asks
If she is sad because autumn is coming on,

But when autumn comes she is merely pregnant and bored.
On her way back from the holidays, a man
Who appears to have no face rattles the door
To her compartment. How disgusting, she thinks;

How disgusting it always must be to grow old.
Dusk falls, and a few drops of rain.
On the train window trembles the blurred
Reflection of her own transparent beauty,

And through this, beautiful ruined cities passing,
Dark forests, and people everywhere
Pacing on lighted platforms, some
Beating their children, some apparently dancing.

The costumes of the dancers sway in the chill darkness.
Now sinking into sleep is like sinking again
Into the lake of her youth. Her parents
Lean from the rail of a ferryboat waving, waving,

As the boat glides farther out across the waves.
No one, it seems, is meeting her at the station.
The city is frozen. She warms herself
In the pink and scented twilight of a bar.

The waiter who serves her is young. She nods assent.
The conversation dies in bed. Later,
She hurries off to rehearsal. In the lobby,
Dizzy still with the weight of her own body,

She waits, surrounded by huge stills of herself
And bright posters announcing events to come.
Her life—she feels it closing about her now
Like a small theater, empty, without lights.


2024-09-19

 
--James Davis May

It’s rare, but it happens:
A waterspout forms near land
and raptures the fish to the sky.

We’re not quite sure what happens next.
Well, we know that many die, 
that some are shredded by the winds,

that some are frozen into chunks of ice, 
and that some, some survive
even after the cyclone stops,

and they exist up there a while. 
Maybe they’re pummeled 
but supported by the currents

in the clouds, the way you keep
a tennis ball in the air
with a single racket—kept up 

until they aren’t and fall,
and even then some survive
to drown on land. What must it be like

to die after that ascension?
Before, life was so much hunger 
and short-lived satisfaction, 

but mostly buoyancy 
without knowing that word 
or any word. Yes, they’re dumb, 

but surely they know or sense 
something is ending,
one eye focused on the ground

the other on the lost sky—   
and the water an absence, 
a memory they can’t remember,

while that human sound of wonder
starts up when they’re found
and can’t, I imagine, help them. 


2024-09-17

 
[ Dream ; Yasuo Kuniyoshi (1922) ]
 

2024-09-15

 
--William Stafford

Even in the cave of the night when you
wake and are free and lonely,
neglected by others, discarded, loved only
by what doesn’t matter—even in that
big room no one can see,
you push with your eyes till forever
comes in its twisted figure eight
and lies down in your head.

You think water in the river;
you think slower than the tide in
the grain of the wood; you become
a secret storehouse that saves the country,
so open and foolish and empty.

You look over all that the darkness
ripples across. More than has ever
been found comforts you. You open your
eyes in a vault that unlocks as fast
and as far as your thought can run.
A great snug wall goes around everything,
has always been there, will always
remain. It is a good world to be
lost in. It comforts you. It is
all right. And you sleep.


2024-09-13

 
--William E. Stafford

You will walk toward the mirror,
closer and closer, then flow
into the glass. You will disappear
some day like that, being
more real, more true, at last.

You learn what you are, but slowly,
a child, a woman, a man,
a self often shattered, and pieces
put together again, till the end:
you halt, the glass opens--

A surface, an image, a past.




2024-09-11

 
Everything that happens is the message:
you read an event and be one and wait,
like breasting a wave, all the while knowing
by living, though not knowing how to live...
And sometimes no one is calling but we turn up
eye and ear—suddenly we fall into
sound before it begins, the breathing
so still it waits there under the breath—
And then the green of leaves calls out, hills
where they wait or turn, clouds in their frenzied
stillness unfolding their careful words:
“Everything counts. The message is the world.”

— William Stafford, from "A Message From Space"


2024-09-09

 
[ Houses ; Vasile Dobrian (1932) ]
 

2024-09-03

 
Haiku- Summer 2024


it doesn't matter
what day it is when you wake
up with a bird song


a mind like august-
the slow turn of the pages
under the shade tree


life like a novel,
its not so much what happens
but how it is read



2024-09-01

 
Everyday 

Some ideas don't hide in the hills
existing because we are intended
to go find them, but fly the same
as wind does what it does, as seas
lift on spaces called by the moon.

It is not an effort it is somewhere
here nearby where time is patience
for its own dissolve, for what is
definable by what resides being
spontaneous inside the common.

Today at breakfast followed along
with a cup of coffee which is music.
Or a form of stillness presented in
forms of phrases and measures, set
to the length of feeling attention.
 
So, yesterday then tomorrow as real
as tomorrow that becomes yesterday,
both folded within the cover living
through the present, only grasped
by a mutual exchange of milliseconds.

What makes for a draft of history
while I then chart my own routes
but those too, those too.... simplest
news with sunlight, quartered silence,
hover of irreconcilable fragments.

None too different than a left shoe 
not knowing the pace of its direction.
Have it be meek or might, this leads
as it does and defined in the spirit
of choice and what follows is next.

Sunset again, a drink from the earth
satiated with original natural color.
Memory of a child who felt thought
growing relation as an imagination
of grass, dewdrops born with stars.


2024-08-30


  [ Edgar Meyer and Christian McBride ]


2024-08-28

 
--Muriel Rukeyser

It's like a tap-dance
Or a new pink dress,
A shit-naive feeling
Saying yes.

Some say Good morning
Some say God bless
Some say Possibly
Some say yes.

Some say Never
Some say Unless
It's stupid and lovely
To rush into Yes.

What can it mean?
It's just like life,
One thing to you
One thing to your wife.

Some go local
Some go express
Some can't wait
To answer yes.

Some complain
Of strain and stress
The answer may be
No for Yes.

Some like failure
Some like success
Some like Yes Yes
Yes Yes Yes.

Open your eyes
Dream but don't guess.
Your biggest surprise
Come after Yes.


2024-08-26

 
--W. S. Merwin

All morning with dry instruments
The field repeats the sound
Of rain
From memory
And in the wall
The dead increase their invisible honey
It is August
The flocks are beginning to form
I will take with me the emptiness of my hands
What you do not have you find everywhere


2024-08-24

 
--David Whyte

Sometimes
if you move carefully
through the forest,

breathing
like the ones 
in the old stories,

who could cross
a shimmering bed of leaves
without a sound,

you come
to a place 
whose only task

is to trouble you
with tiny
but frightening requests,

conceived out of nowhere
but in this place
beginning to lead everywhere.

Requests to stop what
you are doing right now,
and

to stop what you
are becoming
while you do it,

questions
that can make
or unmake
a life,

questions
that have patiently 
waited for you,

questions
that have no right
to go away. 


2024-08-22

 
[ Bird's Nest ; Vincent van Gogh (1885) ]


2024-08-20

 
--Joseph Fasano

All day I’ve watched the wrens nest 
in the willows. 

Desire 
sways a life 
across its rivers 
like a lost horse dragging its saddle. 

And so? And so? 
What will they say of me 
at the end, then: 
he was lost; he sang; he tried to praise. 

The Egyptians, it is written, 
faced their judges in the underworld 
and told them everything, everything 
they weren’t. 

Hush, now. 
It is summer, lushest summer. 
Another love 
is gone again, 
another. The wren stares 
at her own nest 
in astonishment, its little cup 
of dust, of twigs, of hair. 

And the heart, the brittle gift 
we salvage? 
The work you do 
is secret, always secret. 
You scrape away, 
in darkened years 
of secret, 
every twisted thicket 
that it isn’t 
and suddenly, if roughly, 
        it is there.

 

2024-08-18

 
--Joseph Fasano
       
Tell them yes.
Tell them poetry is what chose you.
Tell them
you had a night, once,
just as they did,
when you knelt alone on the cold tiles
and asked the night
to give you a reason for being.
Tell them the answer was your life.
Tell them we are nothing, nothing
without passion,
the wild dark flock
that fills our rooms with joy.
Tell them
you will give the rest of your blazing days
to try to give another life
that moment,
that moment when you opened
to the coldness
and found that the music of your ruin
was too beautiful to ever be destroyed.


2024-08-16

 

--Joseph Fasano

Say five men carry a sixth from the birches.
He is thin from his night inside the river.
Someone has pushed his wrists through his belt
so it seems he has been out gathering blue flowers.

Someone is shouting the richer gospels.
I remember a woman leaning on the window,
thinking death had loosed its bird in the house.
I remember the bird fell on the third day

and I had to line my hands with a nest of old straw.
That night they found a boy in the square
like a foal, smelling of onion grass.
Someone had let a black swan

into the barn where the boy was kept
and in the moonlight we saw dark plumage in his fists.
Say you were the wild gift, how it had quarreled
and come near. Say you had been torn.




2024-08-14

 
[ The Anatomy of a Foot ; Leonardo da Vinci ]